Anyway, to see the actual filmmaking is nothing compared to the film itself. So, you’d better never go to any studio and look at it. That’s the reason why I am not a movie star right now. I did go into some film studio and do some small part, and they called me again for a bigger part. I was just one in the crowd that you don’t even see, because I’m so small also anyway. […] “The Snake’s (Serpent’s) Egg.” It’s from Ingmar Bergman. […]
Actually, I never wanted to be a movie star or anything. It just happened. And people just wanted to take my picture, and the people just wanted to come to see me and asked me if I wanted to play something in the movies. And there’s another movie maker – I forgot his name, but the stars of the movies – wanted to take a picture with me. They did take pictures with me and put it in front of their movie’s premiere day and put it for many days until I passed by. […]
We have enough misery every day. We don’t need to watch another misery 400 years ago or something like that. We deal with daily problems. I don’t like this kind of miserable film, for example. […] I want to be happy. I want to know what we’re doing now and in the future. I don’t want to keep bringing back hatred and violence and sorrow and the things that we could not change. It’s just my small personal opinion, but it doesn’t mean the film is not good. I just don’t like miserable films. No matter if it’s true or not true (story), I like happy films. So, most of the films I recommend to you are happy, happy films, because these are the films I like also. But sometimes, when there is some educational purpose, I also recommend one or two films that are not very happy-happy, but are good. […]
